![]() ![]() ![]() Let’s look at the Spot to timeline function first: While in Pro Tools, park you cursor on a track and at a location where you want a file to be spotted. With this now set, a user can safely transfer into Pro Tools using the Spot to timeline or batch transfer to the region list with the cmd-B option. For this purpose we are going to assume you wish to copy and convert as your transfer method. Each of the options is explained at the bottom on this section. Each of them allow you to tailor your transfers: key among them is whether you are targeting stereo interleaved tracks or mono tracks in Pro Tools and whether you are copying and converting (making new files) or referencing(using existing files and their location). ![]() While auto-sensing the Pro Tools Session will set your Sample Rate, Bit depth, File type and Transfer path, you should familiarize yourself with the many options here. You can have multiple DAWs present, but transfers will be sent to the DAW selected in this menu. Users first need to make sure first that the DAW menu sees the intended target and you need to select it so it knows that is the destination. It requires a special recognition on the part of the receiving application to direct a Soundminer transfer to the timeline. Not all supported applications recognize this option. These transfer features are a more refined application specific routines that allow a user to copy, convert and place a sound directly on a track at a predetermined location or in the audio list. In most cases, users with AVID Pro Tools will want to use the Spot to Timeline or Bring Into the region bin routines for transferring. Review the Introduction to Transferring to make sure you understand the different transfer methodologies. Firstly, understand that there are multiple ways to transfer into Pro Tools and understanding each transfer methodology is critical to workflow. There are some key things to know if working with AVID Pro Tools. ![]()
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